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Lenticulars

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TimeXposure Artist's Statement

Karin Schminke

See Karin's lenticular posters at the Digital Atelier® store.

In viewing timeXposure: explorations in time, space and movement, the audience will be transported into a time and space where their own experiences will overlay the art presented to them, and where their own movements will control their very perception of the scene before them.
In direct observation of nature, one experiences a multitude of forms simultaneously. That rich experience is the inspiration for all of my art, in which complex and layered forms are utilized to create a sense of time, place, and (well) being. The complexity of form in this art slowly unravels for the viewer, presenting deeper and deeper layers of form and meaning, paralleling the direct experience of nature.

With its capability to present simultaneous viewpoints, lenticular printmaking is a compelling and powerful tool. The development of lenticular inkjet printmaking has brought this previously obscure technique into the studio of the fine artist. Lenticular art affords the opportunity to manipulate layers to create depth cues, change lighting, remove elements, and create animation, thereby greatly augmenting the artist's palette.

Only a minor conceptual shift is required from the presentation of layered forms in traditional print and mixed media to using the vocabulary of lenticular. I develop the same source images as both lenticular prints and distinct but related unique edition prints.


In this series I have been concerned, as always, with presenting an encounter with the natural world. Modes of experience are expanded through the increased vocabulary of lenticular. Stereoscopic depth draws the viewer into a more realistic environment. The thin veneers of layers in the lenticular images reflect the fragility of the natural environment, disappearing elements suggest death and rebirth, while subtle color shifts suggest the passing of time.


The lenticular lens becomes a subtle barrier between the viewer and the image. The scenes presented seem to be preserved or encased for viewing and preservation. As a result, the precious and beautiful are experienced through a veil of separateness, an apt metaphor for our relationship to the natural world as we enter the 21st century.

 

Karin Schminke
Seattle, WA
December, 1999
Karin Schminke at www.schminke.com

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