2002
W. Keith and Janet Kellog University Art Gallery, California State Polytechnic University, in conjunction with “Digitally Propelled Ideas”, Pomona California, Invitational
ArtBits, Digital FineArt Printmaking, Vienna, Austria, Invitational
Art Gallery, Governors State University, Beyond the Digital Print 2002, University Park, IL
American Print Alliance, September 11 Memorial Portfolio, Invitational, Traveling Exhibition

2001
Brooklyn Museum of Art, Demonstration of Digital Printmaking Techniques, in conjunction with the Print National: Digital Printmaking Now Opening, Brooklyn, NY
Beecher Center for Technology in the Arts, Butler Institute, First Digital Art Exhibition, Youngstown, OH
Attleboro Museum, Lenticular Prints, Invitational, Attleboro, MA

2000
Scarfone/Hartley Gallery University of Tampa, Electronics Alive, Invitational, Tampa FL
Rocky Mountain Digital Art Center, Crossing Boundaries:Intersection of Media and Meaning, Denver, CO
Creiger-Dane Gallery, timeXposure:explorations in time, space and movement, Boston, MA

1999
Bradford College,Laura Knott Art Gallery, heARTland Portfolio by Digital Atelier, Invitational, Haverhill, MA
Danforth Museum of Art, heARTland:Prints From the Digital Atelier, Framingham, MA
Emmanuel Gallery, Digital Atelier, Denver, CO

1998
Andrew James Gallery, Inaugural, Invitational, Manchester, CT
Pacific Lutheran University, Women in Media, Invitational, Tacoma, WA
Dimock Gallery, George Washington University, From the Digital Atelier, Invitational, Washington, D.C.

1997
Silicon Gallery, Lit From Within: Dorothy Simpson Krause and Bonny Lhotka, Philadelphia, PA
Orlando Museum of Art, ART + Technology, Invitational, Orlando, FL
Huntsville Museum of Art, TABES. Invitational, Huntsville, AL
Silicon Gallery, Women’s Caucus for Art, Invitational, Philadelphia, PA
Graphic Studio USF, (Southern Graphics Council) Think It/Ink It, Invitational, Tampa, FL
Alumni/ae Gallery, Massachusetts College of Art, In Process: The digital prints of Unique Editions (in conjunction with the Boston Printmaker’s Society 50th Birthday Celebration), Boston, MA
911 Gallery, Unique Editions, Boston, MA

1996
Morris B. Belknap Galleries, Allen R. Hite Art Institute, Emerging Technologies/Evolving Traditions, Invitational, Louisville, KY
O’Sullivan Arts Center, Regis College, Digital Images, Invitational, Boulder, CO
Wentz Gallery Pacific Northwest College of Art, Unique Editions: Digital Dimensions, Portland, OR
Digital Arts, Dorothy Simpson Krause and Bonny Lhotka, Frankfurt, Germany
Creiger-Dane Gallery, Digital Dialects, Part II, Invitational, Boston, MA

1995
16 Gallery at Urban Digital Color, Unique Editions: New Directions, San Francisco, CA
Fayetteville Art Council, Digital Soup/ Unique Editions, Invitational, Fayetteville, NC

1994
Sandy Carson Gallery, Digital Watermedia, Denver, CO

Publications, Presentations, Artists-in-Residence

2009
Presentation, “Expanding the Boundaries of Book”, Print 09, Chiago, IL
Presentation, “Digital Atelier and the Digital Art Studio”, Monmouth University, Monmouth, NJ
Presentation, “Inkjet and Beyond: Pushing the Boundaries of Fine-Art Printing”, Photo Marketing Association, Las Vegas, NV
Schminke, Karin, Dorothy Krause and Bonny Lhotka. “Crossing Borders: Digital Atelier artists explore and combine new digital tools with traditional techniques and materials”, SGIA Journal, First Quarter 2009, pp 12 -19.

2008
Krause, Dorothy Simpson, Karin Schminke and Bonny Lhotka. “Blazing a Laser Trail in the Art World”, Digital Graphics, November 2008, pp 34 - 37
Nemo, John. “A Visit to the Digital Art Studio”, Paper Works, Tucson, AZ, Vol. 8.3, Spring 2008, pp 16-18
Sands, Sarah. “Reinventing the Future”. Just Paint, Golden Artist Colors, New Berlin, NY, Issue 18, pp 1-5, 10
Lhotka, Bonny, “The Finer Side of Digital Printing”, Digital Graphics, Denver, CO, February 2008, pp 30 - 36

2007
“Multi-dimensional art”, Printmaking Today, London, Spring 2007, p28.

2006
“Work from the Digital Art Studio”, Contemporary Impressions: Journal of the American Print Alliance. Vol. 14, No. 1, Spring 2006, pp 24 - 25
Wands, Bruce. Art of the Digital Age, Thames & Hudson, NY, 2006, pp 58-59, 211
Presentation/ Panel Discussion, “The Convergence of Printmaking, Photography and Digital Media: An artist’s perspective”, College Art Association, Boston, MA
Taylor, John. “Powering Digital Artistry”, Image Reports, Vol. 13, London, England, February 2006, pp 35, 37, 39
Krause, Dorothy, Karin Schminke and Bonny Lhotka."Paint & Pixels", Just Paint, Golden Artist Colors, Inc. January 2006, Issue 14, pp 1-4

2005
Lhotka, Bonny, Dorothy Krause and Karin Schminke. "Fine Art and the Flatbed Printer", Digital Graphics, September 2005, Cover and pp 16-22.
“Review: Digital Art Studio”, Printmaking Today, Journal of the Royal Society of Painter-Printmakers, Winter 2005
Schminke, Karin, Dorothy Krause and Bonny Lhotka. “Creative Printing” Signs of the Times Magazine, June 2005, pp 104-108.
Johnson, Harald. Mastering Digital Printing, Second Edition, The Thomson Course Technology, Boston, MA, pp 13, 25-26, 210, 287, 364, 366, 376 11, 34, 229, 236, 281, 284, 364-365, 367-369, 371
Threinen-Pendarvis, Cher. The Painter IX WOW! Book. Peachpit Press, Berkeley, CA 2005, pp 444-445

2004
Schminke, Karin, Dorothy Krause and Bonny Lhotka “Selecting a Printing Surface”, Big Picture Magazine, November/December 2004, pp 50-54
Gentry, Lorna. “Digital Art Studio: Redefining The Print”, Photo Electronic Imaging, Vol. 47, No. 6, Nov/Dec 2004, pp 28 -31
Schminke, Karin, Dorothy Krause and Bonny Lhotka. “The Carrier Method of Printing on Thin Paper”, Great Output, September 2004, pp 38-40
Schminke, Karin, Dorothy Krause and Bonny Lhotka. Digital Art Studio: Techniques for Combining Inkjet Printing with Traditional Art Materials, Watson-Guptill, NY, NY August 2004

2003
Reinert, Shannon. “Better by Design” Signs of the Times, December 2003 p 60
Scott, Nancy Bernhaut. “For the Love of Money” e-projects, PhotoDistrict News/PIX, December 2003, p 72
Portnoy, Marsha “Art in a Digital Age”, Wide-Format Imaging, November 2003, Cover, pp 26-28
Johnson, Harald. L’impression Num´erique, Editions Syrolles, Paris, France, 2003, Cover, pp 349-354
Presentation, “In the Digital Atelier” Pajaro Valley Arts Center, Watsonville, CA, August 16, 2003
Threinen-Pendarvis, Cher. The Painter 8 WOW! Book. Peachpit Press, Berkeley, CA 2003, pp 362, 368, 382
Whale, George & Barfield, Naren. Digital Printmaking, Watson Guptill Publications, NY, NY, 2003, p 13
Presentation, “Printmaking, Artists’ Books and the Digital Age”, BU Photographic Resource Center, April 30, 2003
Panel, Southern Graphics Council, “Revolution in Monoprint”, Making Histories: Revolution and Representation, Boston, MA

2002
Johnson, Harald. Mastering Digital Printing, Muska & Lipman, Cincinnati, OH, pp 301 – 307, 347
ST Media Group, The Big Picture, ST Books International, 2002, Cincinnati, Ohio, pp 133, 138-141
Neilson, Nina. “Art with a High Tech Edge”, Digital Graphics, November 2002, pp 34-40
Brill, Louis. “Digital Atelier: The Edge of Digital Media”, Ylem, 20th Anniversary Issue, November 2002, Cover, p 1
“High Tech Campus Installs High Tech Art”, The Big Picture, May/June 2002
Burke, Ed. “Putting a Multitude of Materials to the Test”, The Big Picture, March/ April 2002, p. 68
Sutton, Jeremy and Daryl Wise. “Primordial Fear”, Secrets of Award-Winning Digital Artists, Wiley Publishing, Inc., NY, NY, pp 321-328.
Stern, Marilyn. “Art and Technology Intertwine”, Professional Women Photographers, Fall 2002, Issue VII, Cover, pp 5, 20
Fiedler, Stefan. artbits: Digital FineArt Printmaking, Epson Publications, Düsseldorf, Germany 2002, pp 59-60 , 63-64, 83-84
Moore, Tracy & Teesha, Play The Art of visuals Journals, Alternative Arts Productions, Renton, WA, No. 1, 3,4
Threinen-Pendarvis, Cher. The Painter 7 WOW! Book. Peachpit Press, Berkeley, CA 2002, pp 360, 366, 384, 362-367, 370-373
London., Sherry and Grossman, Rhoda. “Lenticular Printing”, Photoshop 7 Magic. New Riders Publishing, NY, NY 2002, pp 102 - 115
Presentation, “Integrating Lenticular into Digital Printmaking” in Sketches: Innovative Approaches, SIGGRAPH 2002, San Antonio, TX July 24, 2002
Workshop, Beyond the Digital Print 2002. Governors State University, University Park, IL, June 20 - 21, 2002
Berwick, Carly. “Inaugural Show” Bitforms, ARTnews, April 2002, Vol.101 No.4, p 139
Presentation, “Art & Technology Intertwine: An Evening with Katrin Eismann & Dorothy Simpson Krause”, International Center for Photography, NY, NY, May 3, 2002.
Hall, Karin Lowery. “Interview with Dorothy Krause: Beta Testing the Encad 880”, Modern Reprographics, February 2002, pp 26-27, 50
BEYOND THE DIGITAL PRINT 2001: A Digital Atelier® Printmaking Workshop, Governors State University, University Park, IL, June 20 - 21, 2002

2001
Sutton, Jeremy. “Painter View-Tales From The Road”, EFX Art & Design 33, Autumn 2001, pp 30-31
White, Paul R. “Fine Art Media and Printing”, Digital Output, December 2001, Vol. VII,No. 12, pp. 14-17
Airey, Theresa Creative Digital Printmaking, Watson-Guptill Publications, NY, NY 2001, pp.152-153
Brill, Louis M., Comin’at Ya A primer in lenticular signage, Signs of the Times, November 2001, Cover, pp.102-105
Maber, Marie. “blurring the line: The Brooklyn Museum’s 27th Print National, “Digital: Printmaking Now”, Digital Fine Arts, Summer 2001, pp 32-37
Invitational Presentation, Digital: Printmaking Now, Brooklyn Museum of Art, Brooklyn, NY, June 2001
BEYOND THE DIGITAL PRINT 2001: A Digital Atelier® Printmaking Workshop, Rodky Mountain Digital Art Center, Denver, CO., May
Howards, Ellen. “Making Art in a Digital Atelier’, ArtsMEDIA, `Vol 5, No 17, April / May 2001, pp16- 18
McQuaid, Cate. “Cyberart a cause for Celebration”, The Boston Globe, Saturday, April 21, 2001, pp F1
Gollifer, Sue. “Artist Space 4 Tradigital Imaging”, Digital Creativity, Swets & Zetilinger, UK, 2000, Vol. 11, No. 4,pp. 234-248

2000
The Daily, Seybold Seminars San Francisco, “Digital Atelier artists strut latest stuff in imaging”, August 30, 2000, Vol.1 No.5, p 10
Threinen-Pendarvis, Cher. The Painter 6 WOW! Book. Peachpit Press, Berkeley, CA 2000, pp 322, 324, 328-329, 330-331, 334-335, 342-343.
Kitchen, Linda. “Solving the World’s Digital Media Problems”, Signs of the Times, July 2000
Hagan, Debbie. “Collective Visions”, Digital Fine Art, Summer 2000, p26-31.
Maber. Marie. “DPI Association Show Features Fine Art Track”, Digital Fine Art, Summer 2000, p8
Thrienen-Pendarvis, Cher. The Painter 6 WOW! Book. Peachpit Press, Berkley, CA, 2000
The Daily, Seybold Seminars Boston, “Digital Atelier Showcases Portfolio of Lenticular Prints”, February 9, 2000, Vol.1 No.1, p 8
Catalog, timeXposure: explorations in time, space and movement, Xerox, Rochester, NY, 2000Presentation, “New Media/New Aesthetic” Ink Different: Southern Graphics Council, University of Miami, FL, March 4, 2000
Presentation, “The Fine Art of Pushing the Edge”, DPI 2000, Dallas Texas, March 9, 2000
Gerard, Alexis and Paul Worthington. The Future Image Report, “Holography, Lenticular and More: NEW Techniques Move 3D off the Screen”, Volume 7 Issue 7, pp6 - 7
Hagan, Debbie. “Digital Imprint”, Market Talk, Art New England, February/ March 2000, p 15
Williams, Patti. “Painting the Market: Digital Fine Art”, Digital Output, February 2000, Cover, pp14-17
Hagan, Debbie. “Printing Technologies Offer New Choices”, Art Business News, February 2000, pp 1, 92 - 94
McQuaid, Cate. “”TimeXposure Dazzles as Delicious Eye Candy”, The Boston Globe, Thursday, January 6, 2000 pp E7-E8
Beale, Stephen. “Lenticular Art Comes of Age, Digital Fine Artists Experiment with Old Printing Technique” Macworld, January 2000, p27

1999
“The heARTland project”, Contemporary Impressions: Journal of the American Print Allicance, Vol. 7, No. 2, Fall 1999, p22
“Tales From the Wired Life: Karin Schminke, digital fine artist” by Jennifer Kraft, E-Gear Magazine, Winter 1999, p 30.
Hughes, Jonathan. “Talking (Photo) Shop”, Digital Imaging, November 1999, p. 12
“Show Floor Activities; Digital Atelier” Seybold Seminars Boston Publishing 2000 Special Edtion for Alumni p 5
Kraft, Jennifer. “Tales from the Wired Life”, E-GEAR for the Wired Life, Winter 1999 p 30
Solberg, Kirsten. “Digital Salon”, Leonardo, Vol 32 No 5 1999 p 426
Taylor, Jane. “Dorothy Krause Fragmented Meanings”, Rangefinder, November 1999, pp14-19
Presentation,”heARTland Portfolio by Digital Atelier” The Laura Knott Art Gallery, Haverhill, MA, September 1999
Krause, Dorothy S., “Exploring Lenticular Prints”, Digital Fine Art, Fall 1999 pp 44 - 48
Gollifer, Susan. “Artist Space”, Digital Creativity, Vol 10, No 1, pp 37- 51
Romano, Richard. “Digital Artists Go Deep with Lenticular Imaging”, MicroPublishing News, Show Daily, Seybold Seminars, September, 1999
Nordgren, Ake. “Ake on Tour” EFXArt & Design:Seybold, Summer 1999, Issue 27, p 52
Electronic Photography News, Ink Jet Market, Summer 1999
Ross, Terri. American Textiles International, June 1999
Seybold Seminars 1999, The Digital Atelier™: timeXposure:explorations in time, space and movement, San Francisco, CA, September 1999
Connor, Susan. “Digital Application Brief”, Signs of the Times, June 1999, p 20
“Digital Portfolio; Fashionable Fine Art”, The Big Picture, May/June 1999, p 48
Hadden, Jennifer. “Lenticular Images”, Digital Graphics, June/July, 1999, p 2
Wood, Colin. “Limited Editions Unlimited Potential”, Design Graphics. No 43, 1999, p 18.
Hagan, Debbie. “On the Edge: The Digital Atelier’s experimental works are broadening art horizons”, Digital Fine Art, Vol I, Issue II, Summer 1999, pp 26-31.
Smith, Mark. “Digital Group to Show at Boston’s Danforth Museum”, Micro Publishing News, May 1999, pp1-2
Bielski, Lauren. “Dot Krause: Digital Collage in Print”, Digital Imaging, May 1999, pp 8 -11
Cyberfest Panel Discussion, Danforth Museum of Art,, Framingham, MA, May 14,
Presentation,”heARTland: Prints from the Digital Atelier” Danforth Museum of Art, Framingham, MA, February 19 - May 23
Walsh, Peter. “Artists in Cyberland”, Museums Boston, Spring 1999 Vol 3, No 2, p 83
Kooker, Naomi R. “Techno Talent”, Metro West Daily News, April 25, 1999
McQuaid, Cate. “Drawing on the Past”, The Boston Globe, April 22, 1999, pp F1- F5
O’Reilly, Norma. “Exhibition at Dana Hall”, The Wellesley Townsman, April 1, 1999, p 32
“Digital Portfolio; Cube with a Pseudoview”, The Big Picture, March/April 1999, p 44
Foreshew,Jennifer. “Taking Technology to the heARTland”, The Australian, Computers Tuesday, March 9, 1999 p 7
“The Big Squeeze”, Digital Graphics, March 1999, p 58
Hainer, Pattie. “Marshfield Home Is Where the Art Is”, The Patriot Ledger, Sat/Sun, Feb 6/7, 1999 p 12
Seybold Seminars 1999, The Digital Atelier™: Printmaking for the 21st Century, Boston, MA, March
Connor, Susan. “Just Press Print”, Signs of the Times, February 1999, pp 96-102, 104
Taylor, Jane. “Profile: Karin Schminke”, Rangefinder, February 1999 pp 34-37. 62-63.
“Art Show” Publish, February 1999, p 18
Presentation, “heARTland experimental digital prints”, Emmanuel Gallery, Denver, CO, January/February
“Digital Hall of Fame; Digital Atelier at Seybold”, Mac Art & Design, Issue 25 Winter 1999, p 4

1998
Lhotka, Bonny. “In My Studio”, Digital Imaging, Nov/Dec 1998
O’Rourke, Judith. “Collaborative Printmaking at Littleton Studios”, Contemporary Impressions: The Journal of the American Print Alliance. Vol 6, No 2, Fall 1998, pp 27-29`
“Exit Digital Urbanity” PC Photo, November 1998, p 118
“Portfolio: Vitreographs from the Littleton Studios”, Glass, the Urban Glass Art Quarterly, No 72, fall 1998, pp 18–25
Schipper, K. “On the Job:The Art of the Fence”, Digital Graphics, October 1998 pp 59-67
“Dorothy Krause and the TrinityPlace Project, Design Graphics, October 1998, No. 39, pp 14-19
Digital Artists Win Recognition at Seybold Awards Ceremony “ Digital Imaging, October 1998 p 12
Griffith,David “Media Cool The digital fine-art printing market explodes with new equipment, substrates and ink” Digital Imaging, October 1998 p 42-45
“Portfolio: Vitreographs from the Littleton Studios”, Glass, the Urban Glass Art Quarterly, No 72, Fall 1998, pp 18-25
Falconer Byrd, Joan. “Littreography” Fall 1998 pp 37-49
“News Beat: Art Show”, Publish, October 1998, Vol. 13, No. 10, p 22
•Herman Miller, Inc., Holland, MI, October 11-23
Seminar: Beyond the Digital Print, Global Imaging, Lousville, CO, September 25
Presentation, “Collaboration and the Digital Print”, IAFADP, Gallery 16, San Francisco, CA, September 3
Curator, Fusion, Women’s Caucus for Art, University of Massachusetts, Boston, MA
Presentation, The Digital Atelier™: Printmaking for the 21st Century, Seybold Seminars San Francisco, September
Wood, Colin. “Dorothy Krause and the Trinity Place Project”, Design Graphics, No. 39, September 1998, p 14-19
“Renaissance Woman”, IdNPro: discover 1994-1997, Wanchai, Hong Kong, 1998
Harper, Talitha. “Holding fast to the human touch”, Step-By-Step Graphics, Vol. 14, No. 3, pp 94-10
Miller, Julie. “Profile - Bonny Lhotka Tradigital Artist”, Rangefinder, July, 1998, cover pp 8-12, 16,18, 41
Schminke, Karin. “In My Studio” Digital Imaging, June 1998, p 20-22.
Harris, Mark Edward. “New Perspectives- Karin Schminke” PCPhoto, (May/June 1998), p 46-51, 84.
•Littleton Studios, heARTland, Spruce Pine, NC, May
Krause, Dorothy. Q & A, ARTBYTE, Vol. 1, No. 1, April/May 1998, p 68
•Massachusetts College of Art, Beyond the Digital Print, Boston MA, April
“The Digital Atelier and The Unique Editions”, News, small talk, rumors & bulletins, Mac Art & Design, March 1998, p 5
Presentation, The Digital Atelier™: Printmaking for the 21st Century Seybold Seminars 1998, New York, NY, March 18-20
Presentation, The Digital Atelier™: Printmaking for the 21st Century, Artexpo 1998, New York, NY, March 5-7
Panel Member, Digital Art Revolution, The New Art Center in Newton, Newtonville, MA, February 27
King, Jennifer. “Linking Art with Computers”, The Artist’s Magazine, Vol. 15 No 2, February 1998, p 69
Hadden, Jennifer. “Fine Art and Digital Printing; Realizing A Vision”, Digital Graphics, Jan/Feb 1998, p 46-52
Joss, Molly. “Designing for Wide-Format Output”, Digital Design and Production, Jan/Feb 1998, p 26 - 27
Krause, Dorothy Simpson. “In My Studio”, Digital Imaging, Jan/Feb 1998, pp 26-28
Presentation of work, BNN TV, Channel 23, “Stay Tuned”, Boston, MA, January 20
•Thunderbird Graphics, Everybody’s Tabernacle, Clearwater, FL, January
Jones, Bill. “In the Beginning”, Hands on Paper, Vol. 1, No 1, January 1998, pp 8-1

1997
Nichoson, Mark. “Art for Art’s Sake”, Publish, Vol. 12, No 12, December 1997, pp 72-73, 75-78
Landi, Ann. “Material Developments” ARTnews, Vol. 96, No 10, November 1997, pp 204-205
“Smithsonian Showcases future of print”, Print & Graphics, Vol. 18, No 10, October 1997, p 1
Gorfinkle, Constance. “Computer gives Marshfield artist a different image” The Patriot Ledger, October 18/19, 1997, p 35
Joss, Molly W. “Computer Artist; Digital Art at the Smithsonian” Electronic Publishing, Vol. 21 No. 10 Oct. 1997, pp 42-43
Fifield, George. “Art & Technology The Digital Atelier” Art New England, Vol. 18 No 6 October/November 1997, p 5
King, Sheri. “Does Tradigital Art Belong in Traditional Museums?” The Big Picture, Vol. 2 No. 4 October 1997, pp 98 - 104
“Digital Artists Set up Shop at the National Museum of American Art” Digital Imaging, Sept/Oct 1997, p 20
Hayden, Niki. “Within the Cyber Studio” Boulder Daily Camera, September 1997
Presentation, The Digital Atelier™: Printmaking for the 21st Century, Seybold Seminars, San Francisco, CA, September
Gentry, Lorna. “Mainstreaming Digital Art: Bringing Imaging to the Masses”, Photo Electronic Imaging, Vol. 40 No. 9, Sep., cover, pp 8-12
Haun, Gregory Cosmo, Forward by Karin Schminke, Photoshop Collage Techniques, Hayden Books, pp 1-3, 1997.
“Exploring the New Terrain of Printmaking”, Perspectives, Fall 1997, No. 33, p 13
Eisenberg, Daniel, et.al., “Digital Arts and Media: Vision of Bytes”, TIME Digital, July/August 1997, p 13
Krause, Dorothy. “Creating Lady of the Flowers”, Desktop Publishers, June 1997, pp 70-71
Kowalsky, Elaine. “ArCade II: a Review” Outline, Issue 3: June 1997, pp 17-20.
McClelland, Deke. Chap.10 “Fine Art Printing: Karin Schminke” Photoshop 4 Studio Secrets, IDG Books, pp 123-135, 1997
McQuaid, Cate. “Getting Virtually Punchy on Pixels”, The Boston Globe, June 19, 1997, pp E5, E6
•Work/Tank Think/Shop: Media for the New Millennium, Vinalhaven Press & Foundation, Vinalhaven, ME August
•Smithsonian American Art Museum, Digital Atelier: printmaking for the 21st century, Wash., DC, July
Getting the Work Out: Unique Editions™ on the WEB, Panel Participant, 5th National Conference of Women in Photography, Simmons College, Boston, MA, June 7
Steinberg, Norma S. “The Digital Print”, Contemporary Impressions: The Journal of the American Print Alliance. Vol. 5, No. 1, Spring 1997, cover, pp 6-10
Bezdechi, Ivars. “Material Magic”, Digital Printer, April/May 1997 pp 19-23
What’s Yours is Mine, Panel Participant, University of MA, Dartmouth, MA, April
Presentation of work, Northeastern University, Boston, MA, April
“Fractal Design Gallery”, Photo Electronic Imaging, March 1997, pp 26-30
“Digital Gallery”, Digital Imaging, March 1997, p 34
Fifield, George. “Art & Technology: The Iris Revolution”, Art New England, Feb- March 1997, p 8
BEYOND THE DIGITAL PRINT 2: An Experimental Printmaking Workshop for Digital Artists, Program Coordinator, Massachusetts College of Art, Boston, MA, March
Think It/ Ink It, Technology Panel Participant, Graphic Studio, USF College of Fine Arts, Tampa, FL, March 6,
“Digital Hall of Fame: Unique Editions”, Mac Art and Design, Stockholm, Sweden, Vol. 4, No. 18, Winter 1997, pp 30-35
“Digital Art Show Debuts at New Hampshire Prep School”, Micro Publishing News, February 1997, p 5
Presentation of work, Thomas Nelson Community College, Hampton, VA, January
Presentation of work, PCTV, Newport, NH, January 13
Purcell, Janet. “At CNJ, adventures in the digital world”, The Times, Fri., January 31, 1997, p F17
Hamm, Christine. “In Altered States: When art and technology collide digitally”, Concord Monitor, January 30, 1997, p 1, D6

• Indicates Artist in Residency